Ughhh…my poor friend continues to get slammed by crap from every side. Now her children treated her horribly yesterday taking her out of an important meeting at work scaring her and when she got home, laughing and saying she got punked. Her idiot estranged husband, came in and took more things including a small cabinet that belonged to her parents. It is one of the few things she had from her dad, but the jerk took it. I pleaded with her to get the U-Haul truck for tomorrow, my hubby will drive it and get. Her stuff out of there because he will take her bed, her clothes and whatever else he can grab just in spite. I am very upset for her and very disappointed in her girls. I’m crazy at work and blah blah blah. I do enjoy writing here but I can’t find the time to read and comment. I am sorry.
Ok, enough of that, I am choosing all the way back to 1940 when you had some strong women up for best actress like Bette Davis for “The Letter”, but you also had miss nervous, irrigating Joan Fontaine in “Rebecca”. Here are 3 ladies, one who won, one nominated and one not nominated but should have won.
1. ROSALIND RUSSELL IN HIS GIRL FRIDAY
This film is one rapid fire, non stop, hilarious, with some serious undertones, film that stars Cary Grant and Rosalind Russell as 2 newspapermen ( yes, I use this on purpose) who used to be married but are now divorced with the Russell character leaving the newspaper business to marry a nice Ralph Bellamy ( who handles himself with great aplumb and hold himself well up against these 2 firecrackers) who will never have a chance. Grant will pull all the stops to keep her with his newspaper bringing back into the fray of a stellar story involving a man who escapes custody claiming he is innocent. The dialogue never stops with most characters talking over other characters. This mayhem is conducted by the great director, Howard Hawks. Rosalind Russell is a powerhouse who can hold her own and overtake the acting of Grant and the many character actors. She never loses her femininity and you wonder how she could memorize all that dialogue but, I read, that she and Grant were allowed to adlib. I think she deserved the award but was not even nominated.
2. KATHERINE HEPBURN IN THE PHILADELPHIA STORY
Katherine Hepburn was excellent as the haughty Tracy Lord who comes from the rich, elite society planning to marry a man who is as exciting as the colour taupe. Her ex husband, played to great delight, by Cary Grant, crashes the big party and you have the reporter and his camera lady played with much glee by James Stewart who won the Oscar for Best Supporting Actor and Ruth Hussey is the fellow reporter who loves the big lug. It is sophisticated and quite a funny screwball type of comedy. Hepburn played Tracy on stage and made sure she had the rights to making this film. She wanted Spencer Tracy for the role of her ex husband but she got Grant and she made sure she got Stewart as the cynical newspaper guy. She shines in this role and is equal parts, rich bitch, romantic girl, ditzy nut and quite beautiful. She earned the nomination and, if Rosalind didn’t give such a great powerhouse performance as Hildy, Kate would have received my vote as the best actress.
3. GINGER ROGERS IN KITTY FOYLE
Ginger Rogers got rid of her blond look and stopped dancing to appear in this drama about a honest working girl from the poor side of town who meets up with an upscale man who launches his own magazine, using his family’s money ( hmm JFK Jr. anyone?). Of course, his family is not into their son falling for this lower class gal. She ends up leaving and going to NYC meeting up with a good but poor doctor. Hmm, who will win her over?? This plot seems to be pretty basic but Ginger’s performance elevates this film but, I don’t think she deserved the Oscar. Looking at these 3 now, you wonder how the industry can get this so wrong but maybe Katherine would have won if only she donned. Blonde wig.
Well, time to go to bed, but do you agree or would you choose someone else for another role that does not get the love it should?