This weekend my hubby and I will be travelling to visit his Aunt, who lives about an hour South of Montreal right on the Richelieu River. It’s a long drive, about 8-9 hrs, but it will be so nice to see her. She just lost her husband, this past February so it will be a nice distraction for her. I’m glad we will be there for her birthday because it’s the first birthday without her husband. She’s one strong lady so I know she will be ok, but she lost her best friend a couple of years back and other relatives which happens as we get older…that just sucks. I thought this would be a good theme for this week’s movie time.
1. THE AWFUL TRUTH-1937
I just watched this film for the first time and truly enjoyed it. It stars Cary Grant and Irene Dunne as a married couple who mistrust each other so much that it leads to divorce. During the divorce proceedings, they each claim that their beloved dog is theirs( the famous Asta) with Dunne winning their dog but through scheming hands( she showed the dog his favourite toy unbeknownst to the court), She is wooed by Ralph Bellamy as a Texan oil tycoon travelling with his mommy. Grant gets involved with a showgirl who knows how to Oomph during her singing number. Throughout this film, we have her beloved Aunt Patsy who is all too wise to the true goings on between these 2 people whom she loves. Cecil Cunningham delivers a great performance as the all too knowing Aunt and lends perfect support to the cast.
2. BRINGING UP BABY-1938
This film stars Cary Grant as a palaeontologist who is constructing a Brontosaurus but needs one bone to complete it. He also needs money to complete everything which seems likely since he is engaged to a socialite. The day before his marriage he meets Susan played by Katherine Hepburn who never looked so beautiful and uninhibited. Through a serious of mishaps, they end up going to her Aunt’s home to deal with Baby, a tamed leopard her brother sent to her. He has his dinosaur bone but her Aunt’s dog( yup, Asta) grabs it and burys it. Hepburn realizes she loves Grant so she steals his clothes resulting in Grant wearing a fancy negligee and robe. In enters Hepburn’s Aunt, played so imperiously, by May Robson, who sees Grant in the frilly negligee which leads to a hilarious scene. He soon finds out that the Aunt is the lady who he has been trying to get the funds to support his museum. Baby escapes but so does a circus leopard who is much less tame and Hepburn and Grant embark on a hilarious romp through the countryside and the local jail trying to retrieve Baby by singing, “ I can’t give you anything but love, Baby”. This film bombed at the box office but is now considered one of the best screwball comedies. This Aunt is played so well by the character actress, Ms. Robson, and she holds all the cards for this couple to realize they both love each other plus she has the money to help the museum.
3. ARSENIC AND OLD LACE-1944
Mortimer Brewster, played by Cary Grant is a writer who thinks marriage is a big sham. He is at the courthouse ready to marry his girl next door, played by Pricilla Lane. They marry and they go to their homes to pack their things for their honeymoon. Grant lives with his 2 sweet old Aunts, played so wondrously by Jean Adair and Josephine Hull. They are such sweet, doting aunts who live with their brother who thinks he is Teddy Roosevelt. The one problem Grant finds out is that his loving aunts are serial killers. They don’t need to be but when they meet old men, because they post a room for rent sign in their window, they feel sorry that these men are all alone. To ease their suffering, they give the men elderberry wine laced with arsenic, strychnine and cyanide and ask their brother to bury the body, he happily does so believing it is another yellow fever victim. Grant is in shock realizing his aunts are killers but he doesn’t want them to go to jail so he contacts Happy Dale Mental Asylum to have them committed. Unfortunately, his evil brother with a doctor in tow, arrives to hide from the police bringing, with them, their 12th victim. They try to hide the body in the window seat, but it is already taken by another body dine in by the sweet old Aunts. Now the brother, played so well by Raymond Massey, is pe-ohed that his aunts equal him in kills so he wants to kill his brother to make it 13. This is one of my favourite screwball comedies which Grant disliked because he felt he hammed it up way too much. I think it leads to his role and the madness that lives in the house. The film belongs to the 2 aunts who just take on their roles with such gusto. Its madcap but a lot of fun.
Did you catch my theme within a theme? What films can you think of that has an Aunt in a role that helps carry the film? Let me know





