Thursday, April 24, 2025

Bad Girls

 


I’m late, I know but I saw 8 clients yesterday and with 20 minutes of paperwork, I didn’t get home until 9:30pm. I forget how draining it can be to listen. Anyhoo, I decided to talk about Bad Girls of which there are so, so many especially in the Film Noir genre which I love. There are way too many to choose from but I picked the first 3 that came into my head…

1. THE MALTESE FALCON-1941


This is considered one of the first…and one of the best Film Noirs that is a must see. You have Humphrey Bogart as Sam Spade, a PI  whose life is turned inside out when a beautiful woman, played so well by Mary Astor, comes to him for help. From there, Spade meets all sorts of characters who are all after a priceless artifact called the Maltese Falcon, aka a big black bird. The thugs are Peter Lorre, Elisha Cook Jr and the big guy ( in more ways than one), Sydney Greenstreet who slithers onto the screen with a quiet-voiced charm. Unfortunately, the baddest Character of all has worked her way into Sam’s heart. Well acted, well written and directed with the moody black & white photography used to the best affect, it’s so good that I can’t recommend it enough.

2. DOUBLE INDEMNITY-1945


I have spoken about this film before and was going to choose other film but, it’s Barbara Stanwyck. She should have won the Oscar for her deft portrayal of one nasty femme fatale who wants her old geezer husband to die so she can collect the insurance policy. Enter Fred MacMurray, a hard edged, insurance agent whose head goes “BOING!” as soon as he sees the ankle bracelet on the shapely leg of  Phyllis (Stanwyck) who moves around her prey like a cat with a mouse. They soon hatch a plan to collect double the money based on the indemnity clause that he “sells” to her unsuspecting spouse. While they enjoy being slutty, his boss and friend Edward G. Robinson, suspects this insurance to be one nasty piece of work. From her severe blond wig to MacMurray’s sly talk, it’s another must see gem with top notch performances, direction and cinematography that is a killer.

3. DETOUR-1945


I just watched this Film Noir “B” film that stars Tom Neal as a hapless pianist working in bars when he should be with. Symphony orchestra. He has a good thing going with a sweet gal with a pretty voice but she’s fed up and decides to head to Hollywood hoping to make it big. He decides to go across country to meet with her but he has no money so he hitchhikes, he is soon picked up by a man in a caddy and they start talking and get along well. When it starts to rain, Tom pulls over to put the top up while the owner of the car appears asleep. He keeps  nudging him to help but the man doesn’t move. When he opens the passenger’s door, the man falls out and drops out hitting his head on a rock. So what does the dumb oaf do? He freaks and drags the man out and buries him but not before taking his money and his car. When he pulls over to put gas in the car, he sees a young girl hitching and offers to drive her. Well, what a bad move that is because, before he met the dead man, the dead man picked up a hitch hiker who scratched his face…who’s that nasty girl? Yup, the one Tom picked up is the nasty gal with the nails. This gal is on to Tom and blackmails him. Tom is not the brightest piece of wood and lets her wreathe her plan in her irritating voice that’s perfect for her role. It’s a really good film with some fun acting especially the nasty Ann Savage. 

Tom Neal is pretty damn good as the hapless oaf who, in reality was a real a hole who was involved in a big scandal involving, Barbara Payton( a B style actress) and her fiancé, Franchot Tone ( a really good actor who should be known more). Barbara was seeing both of them culminating in a fistfight between Neal and Tone. Unfortunately, for Tone, Neal was a boxer and smashed Tom’s skull creating major surgery due to head trauma. Neal and Payton did not work out ( big surprise) and Tom Neal remarried. She was found with a bullet in the back of her head and Neal was up for murder but, he was charged with involuntary manslaughter. Once he was out of prison, he lived only. Few months later before dying of a heart attack.

So what Femme Fatale caught your fancy?

12 comments:

  1. Hi, Birgit!

    It's great to be back with you-- "At The Movies" -- here on the BBC, dear friend! How are your fur babies?

    Remember The Maltese Bippy (1969) starring Rowan and Martin, hosts of the TV comedy series Laugh-In? I can't explain why I have not yet watched The Maltese Falcon other than not being a huge fan of Bogie. I loved Peter Lorre in Mad Love (1935) and Elisha Cook Jr was a hoot in House On Haunted Hill (1959) playing the drunken sot Pritchard.

    Nor have I seen Double Indemnity, even though I very much like the acting styles of Fred Mac, Barbara Stanwyck and Edward G. Based on this trailer, the dialogue alone makes it must see (hear). I noticed in the credits the name of the character actor Porter Hall. As I have observed in previous comments, the name Porter Hall became much more famous when movie critic Roger Ebert and director Russ Meyer named a villainous character after him in their 1970 cult film Beyond the Valley of the Dolls.

    Noir is one of my favorite genres, and yet I must confess that I have not seen Detour either. Now I'm motivated, even though I am not familiar with the players. Thanks for the back story about a real life love triangle and the violence it ignited.

    Three other bad girls immediately came to my mind. The first is "Laura" a married woman with a roving eye and a flirty disposition, played by Lee Remick, the leading lady and femme fatale in a movie I have recommended many times before, Otto Preminger's Anatomy Of A Murder (1959). Second, how about lovable bad girl "Debbie" played so well by Candy Clark in American Graffiti (1973)? Last but not least, try this gal on for size - Allison Hayes as Nancy Archer - in Attack Of The 50 Foot Woman (1958).

    I'll be back with a new post at Shady's Place this coming Monday and hope you can swing by. Until then, enjoy the rest of your week and weekend, dear friend BB!

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  2. I've never seen "Double Indemnity," but Barbara Stanwyck is hot...

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  3. OMG. Lots of deadly drama surrounding Tom Neal and Barbara Payton. Be well.

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  4. I've seen all three of your picks and they are good ones. I especially liked Detour which my wife and I watched for the second time a few months ago.

    I know I've seen a lot of films that would fit in this, but I'll have to ponder a bit. Gun Crazy has that lady who is a pretty bad influence on her male counterpart. That's a pretty good one.

    More recently there was Wild Things which had some pretty naughty girls in it.

    So many movies and me with so little memory.

    Lee

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  5. The first two are really good. Classic examples of Film Noir. I don't believe I've ever seen 'Detour'.

    Two others that come to my mind are Gene Tierney in 'Leave Her To Heaven' and Barbara Stanwyck in 'The Strange Love Of Martha Ivers'. I'm really not a Stanwyck fan but I feel that the 'Martha Ivers' movie is quite underrated. Hardly anyone ever mentions it when discussing Film Noir but it is amongst my favorites, and one I like a good deal more than a number of other more famous films.

    ~ D-FensDogG

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  6. I've seen your first two pics. My first thought was Fatal Attraction. Glenn Close was some crazy woman.

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  7. I've never seen any of these. Heard of them, though. I just haven't done a watch on any noir films. I'm not sure why.

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  8. LOVE the bad girls of noir! Once again, I’m going with a theme within the theme using my girl Linda Darnell as the subject since she was quite active in the genre and played more than one villainess.

    Hangover Square (1945)-After being stuck playing dewy-eyed heroines in her early films Linda gained attention on loan out for her turn as the hedonistic Olga in Douglas Sirk’s “Summer Storm” who brought doom to all around her including herself. As a reward 20th cast her as the rapacious dance hall singer Netta who pays dearly for her grasping use of Laird Cregar’s composer George Bone. She looks amazing in the Victorian fashions, but her character has a cash register where her heart should be.

    Fallen Angel (1945)-Drifter Eric Stanton (Dana Andrews) ambles into a small town and promptly gets involved with two women, one for money-June (Alice Faye) and one for lust Stella (Linda Darnell). Trouble follows for all. Though Linda’s Stella is more of a grabber looking for a ticket out of her present circumstances than purely evil she’s not above a little chicanery to achieve that goal. When the film premiered, she garnered the film’s best notices.

    This Is My Love (1954)-Vida Dove (Linda), lonely and full of bitterness at having to live with her sister, Faith Domergue, who has married her former flame Dan Duryea, now in a wheelchair. Shackled to them and tortured by him she is desperate for any way out by whatever means necessary. Enter handsome Rick Jason and a possible escape until he gets a look at Faith, also seeking a way out from the viperish Dan. Of course, this sets the stage for unimaginable tragedy, but it wouldn't be a noir if it didn't. Based on the novel “Fear Has Black Wings” this latter-day noir is painted in the darkest shades.

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  9. The Maltese Falcon is such a classic, but my favourite here is Double Indemnity. Barbara Stanwyck was perfect for the role, as was Fred MacMurray. I haven't seen your third pick, but it sounds like something fun to watch. Interesting background info!

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  10. Jessica Rabbit. She wasn't bad, though. Just drawn badly.

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  11. I love all three of these films. But I think my favorite femme fatale is Gilda, Rita Hayworth, 1946. I see her as the end result if the kid from The Bad Seed grew up. @samanthabwriter from
    Balancing Act

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  12. I need to see all three of these still!

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